It’s obviously not fair to compare these two things because of the different ways we consume music and movies, but considering the average movie ticket price in 2002 was $5.81, we can estimate roughly 36.6 million tickets were sold to Goldmember Beyoncé’s six studio albums, on the other hand, have sold a total of 38 million copies worldwide. Adjusted for ticket price inflation, Goldmember currently accounts for 39.6 percent of Beyoncé’s total box office gross. Three of her movies have grossed over $100 million at the domestic box office: Dreamgirls, which made $103 million Epic, which made $108 million and Goldmember, which made $213 million, roughly twice as much as any other film she’s appeared in. So when I say that thus far, Beyoncé’s biggest film role was Goldmember, I am not trying to be snarky or roast Beyoncé. Over the past decade, she’s seized near-complete control of her art and her public persona, releasing her albums and the accompanying ambitious video projects on her own terms, when she feels like it. Beyoncé’s semiretirement from acting makes sense. Her last movie role was a bit part in the 2013 animated movie Epic (I haven’t seen Epic, but she’s credited below Steven Tyler and Pitbull, so I’m gonna assume it was a small part). Since Obsessed, she hasn’t appeared on screen in any movies. Besides Goldmember, the only live-action movie where she hasn’t played a singer is Obsessed, the 2009 psychological thiller in which she saves her home and marriage with Idris Elba from blond killer Ali Larter. She’s played a singer in four: The Fighting Temptations, The Pink Panther, Dreamgirls, and Cadillac Records. Not including The Lion King, she’s appeared in only seven feature films. Outside of that, however, Beyoncé’s filmography is oddly limited. Her performance was slightly overshadowed by that of Jennifer Hudson, whose role as one of not–Diana Ross’s bandmates in the not-Supremes earned her the Oscar for Best Supporting actress, but still. Dreamgirls was critically acclaimed and won the Golden Globe for Best Picture in the Musical/Comedy category, while Beyoncé’s performance was nominated for Best Actress in the Musical/Comedy category. Those distinctions almost certainly go to Dreamgirls, the 2006 musical period piece in which Beyoncé played a Motown singer who definitely is not Diana Ross. Just so we’re clear-although I assume it’s too late to save my mentions-I am by no means arguing that Goldmember is the best film Beyoncé has been in, or her best acting performance.